Interview with Steen Doessing
by Marcin Stawiarz |
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| #1 Please introduce
yourself: |
My name is
Steen Doessing. I was born and grew up in Denmark. I moved to England in 1980 and settled
in The Thames Valley where I'm now living with my Family. |
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| #2 How did you get
interested in photography? |
When I was 12,
my father gave me an old Agfa 120 box camera. My uncle was a keen amateur photographer
using Leica and he taught me all the basics including developing my films and printing
them in his darkroom and that was it - I was hooked. I bought my first 35mm camera when I
was 18 I think and moved through several makes and models in years to come. During this
time I became aware of Ansell Adams and his Zone System and was fascinated by his
technique and the results he achieved. I acquired a 4x5 field Camera from England (I had
to assemble it myself) and tried to learn to use this technique. I was far too impatient
and undisciplined and also it was too expensive for me to shoot 4x5 sheet film so I
started working with Medium Format Cameras which I still use particularly for very long
exposures (many hours). |
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| #3 Do you have an
artistic/photographic background? |
I went to Art
and Design College in Aarhus - Denmark where I studied Graphic Design and Art. However, I
never finished my studies but went on to take a degree in Electronic Engineering. |
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| #4 Which
artist/photographer inspired your art? |
The first
photographer that really touched something inside me was Ansell Adams. His images are at
every level sublime. He had an ability to draw the viewer into the image to such an extend
that it felt like you were standing there right next to him while he was carrying out his
meticulous adjustments and taking the photograph. Brett Weston for his fantastic ability
to extend the range of a photograph while still keeping details in everything. Later on I
became aware of Roman Loranc. His "Water" and "Trees" portfolios,
especially his "Tule" series have a feel that I am still trying to capture.
Michael Kenna of course who has re-defined the rulebook of Contemporary Photography and is
continuing in doing so. |
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| #5 Most of your
photographs shows oceans, seas and other waterscapes. What fascinates you in this subject? |
I was born and
grew up in Denmark, which meant I was always surrounded by water - the ocean, lakes and
rivers were everywhere I looked. 24 hours a day. My senses were filled with the smell,
sound and the visual impression of water. Water to me represents life and the equanimity
and power of nature. Water is where I came from. My fascination with water is never
ending. I can sit on the shoreline for hours without taking a single photograph and just
take in the sea. I am consciously trying to focus on and experiment with different
subjects which is interesting in itself. I'm always drawn towards strong and simple shapes
and designs so you'll likely see some non-water work from me at some stage although water
is where my hart is. |
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| #6 Your photographs
are characterized by a state of harmony and balance. Despite the calm we can feel the
drama. What inspires you to create these works? |
My work
contains a strong sense of tranquillity and calm but also of some drama. I am often asked
if this is who I am, or if my art is a way of escaping from something else or if it's
purely decorative? I guess you can say that this is who I am or more precisely this is who
I'd like to be or it's a state I'd like to reach. Although this state of calm and balance
is in stark contrast to the pace and stress imposed upon us by modern life, I can’t say
I am trying to escape from something. It is a state of equilibrium that exists everywhere
around us which I am constantly searching for and whenever I cross it I endeavour to
capture it with the camera. |
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| #7 We can see your
photographs only in black and white, why have you chosen to present them in this form? |
Colour to me
distracts from the inherent graphical qualities of a photograph. Black & White leaves
the viewer free to create his/her own impression and feel of the shades and tones and most
importantly to create his/her own interpretation of the emotion of a image. |
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| #8
What does photography mean to you? |
| For me,
photography is a visual medium that offers me the opportunity to express the way I see and
feel things around me. Photography is paramount to me and acts as an outlet for my
creative energy. If I didn't have this I'd do something else creative like playing an
instrument or painting f.ex. |
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| #9
Could you tell our readers how to reach such excellent results in photography? |
| 30 years of
trial and error and a huge amount of self-discipline, self-critique and patience. I try
and keep it as simple as possible i.e. I don't have lots of cameras and lenses that would
clutter my workflow. I use a digital set-up and an analogue set-up and nearly always use
the same lens. I learnt the art of photography by looking at and analysing my favourite
photographers work, seeing what excited me and by looking at photographs I had taken,
asking myself questions such as 'Why doesn't that work while this does?'. Sometimes I
would go back to one of my older (favourite) photographs and try to analyse week, after
week why this particular shot worked for me. Slowly I would begin to understand what it
was that made it "sing" and through this process I began to understand and was
very much wiser not only about my own photography but photography as an expression of art.
I think the analysis process is paramount for me. I gather understanding of the
why-when-where in my self and my work and am able that way to devise and take my next step
on my photographic journey. I impose rules unto myself f.ex. to only take photographs that
include water. Whilst this may seem limiting, it actually frees up my artistic energy. It
leaves me free to only focus on one theme and explore and develop that subject in depth. |
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| #10
Do you work as a professional photographer or do you pursue the art as a hobby? |
| First and
foremost I do photography for me - no one else - to satisfy my own ego and passion. I used
to do a lot of commercial photography when I was a full time photographer but I ended up
resenting having to make photographs that someone else told me how to do and that I
disagreed with so I stopped before I lost all my passion for photography. I have recently
been approached by several Advertising Agencies but so far nothing has materialised so I
will wait and see how this develops. Having to make a living from photography is not a
position I need to be in or necessarily would like to be in. |
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| #11
What do you do in your life besides photography? |
| At this
stage of my life, I have a family and 2 teenage daughters to support so I earn my main
income from working as a consultant to the IT Industry. Photography supplements my income.
Maybe one day this will change and I will again work full time on photography but if that
is to happen it will be on my terms and conditions. |
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| #12
Are you planning any exhibitions of your works in near future? |
| Apart from
Group Exhibitions in the US and the UK, I'm planning several Solo Exhibitions next year
the first being a Show put on at ICETWICE in the UK and titled "Aubade in Black and
White". So far the plan is to open at Easter so I'm still in the process of creating
new work for this. |
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| #13
Is it possible to purchase your prints and, if so, where? |
| All prints
shown on my website are available for purchase as limited edition prints either through
one of the galleries representing me or directly from me via my website. |
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| #14
What future plans do you have? What projects would you like to accomplish? |
| I take a
year at a time. I am constantly trying to improve my technique and my artistic eye. This
takes a lot of self-critique, contemplation, work and patience. My workflow has changed a
lot since I started photographing again. I now spend many days, sometimes weeks, on each
shot. As long as it takes till I feel it’s right. I am very satisfied if I achieve 12
images that I am happy with in a year. I still have plenty of photographs to make on the
South Coast of England and Isle of Wight and also I am contemplating spending some time in
Denmark, Scotland and France shooting. Apart from making photographs I am always working
with Galleries, Journals and Magazines etc. and that takes a lot of time and travel. By
the end of each year, I will weigh up what I have achieved and then decide on my plans and
goals for the following year. |
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Steen Doessing Official Website:
www.steendoessing.com |
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